Found 161 results. Click article title for full text.

Sort by:[Year][Title][Type][Author][Keyword]
Adam Fitzgerald (2017).  Jorie Graham’s Poetic Autopsy for Self and Nation. The New York Times Book Review.
Ángel Rupérez (2014).  Poesía no apta para holgazanes. EL PAÍS.
Antonio Luis Ginés (2014).  Corriente que fluye. Diario Córdoba.
Antonella Francini (2013).  Premio Nonino a Jorie Graham Il suo «Place» è poesia civile di denuncia e di speranza . l'Unita.
Anon (2009).  Jorie Graham's Sea Change. delirium's library.
anon. (2002).  Jorie Graham (1950 - ). Poetry Foundation. Abstract
Altieri, Charles (1998).  Jorie Graham and Ann Lauterbach: Towards a Contemporary Poetics of Eloquence. Cream City Review. 12(Summer), 45-72.
Bernard, April (2016).  The Dream Behind the Wall of Words. The New York Review of Books. 62(OCTOBER 13), 
Biedrzycki, Miłosz, Chruściel, Ewa (2012).  Wiersz jest doświadczeniem pierwotnym.
Blackie, Sharon (2012).  Nie wolno nam utracić zdolności wychwalania.
Baker, Timothy C. (2006).  Praying to an Absent God: The Poetic Revealings of Simone Weil. Culture, Theory, & Critique. 47(2), 133-147. Abstract
Bedient, Calvin (2005).  A State of Emergency. The Boston Review.
Burt, Stephen (2005).  "Tell them 'no'": Jorie Graham's Poems of Adolescence. Jorie Graham: Essays on the Poetry.
Bedient, Calvin (2005).  Toward a Jorie Graham Lexicon. Jorie Graham: Essays on the Poetry.
Byrne, Edward (2004).  Jorie Graham: Never. Valparaiso Poetry Review. 5,
Bedient, Calvin (1998).  Like a Chafing of the Visible. Salmagundi.
Bernard, April (1997).  Modernist Conveniences. The New York Times.
Burt, Stephen (1996).  The more she disapears. Times Literary Supplement.
Baker, David (1994).  The Push of Reading. Kenyon Review. 16(4), 
Bedient, Calvin (1994).  Postlyrically Yours: A Review of Materialism. Threepenny Review.
Bedient, Calvin (1990).  Kristeva and Poetry as Shattered Signification. Critical Inquiry. 16(4), 807-829.
COBER-LAKE, Justin (2018).  Fast: by Jorie Graham.
Chadwick Jenkins (2017).  Pulitzer Prize Winner Jorie Graham's Collection of Poetry, 'Fast', Will Haunt You, Beautifully.
Christopher Nelson (2017).  A Review of Jorie Graham’s fast. Under a Warm Green Linden.
Christian Harder (2015).   Book review (Poetry): 'From the New World: Poems 1976-2014'. Richmond Times-Dispatch.
Craig Morgan Teicher (2015).  Jorie Graham’s ‘From the New World’. The New York Times Book Review.
Caterina Ricciardi (2014).  Graham, i luoghi come riscatto. Alias Domenica :: Supplemento Settimanale de "Il Manifesto".
Claudio Magris (2013).  La poesia ricuce il mondo. Corriere della Sera .
Chaberski, Mateusz (2013).  W poszukiwaniu doświadczenia między słowami.
Calvin Bedient (2012).  Infected by Time. Los Angeles Review of Books.
Chruściel, Ewa (2012).  Poeta jest kanarkiem w kopalni.
Chruściel, Ewa (2009).  Na granicy poznania, zawsze pomiędzy – o poezji Jorie Graham. FRAZA. NR 65-66,
Caldwell, Roger (2003).  At a suitable distance. Times Literary Supplement.
Costello, Bonnie (1997).  The Errancy: Review. The Boston Review.
Cahill, Timothy (1996).  Daring to Live in the Details. Christian Science Monitor. 88,
Costello, Bonnie (1992).  The Big Hunger. The New Republic. 4.
Costello, Bonnie (1992).  Jorie Graham: Art and Erosion. Contemporary Literature. 33(2), 373-395.
Duffy, Timothy (2017).  “No, this was all first person”: Revisiting Jorie Graham’s Hybrids of Plants and of Ghosts. Empty Mirror.
Dan Chiasson (2015).  Beautiful Lies, The poetry of Jorie Graham.. The New Yorker.
Dwight Gardner (2015).  In Jorie’s Graham’s ‘From the New World,’ Flux Is a Whirling Constant. The New York Times.
Dan Chiasson (2012).  The Actual Hawk, the Real Tree. New York Review of Books. 59,
David Michah Greenberg (2012).  The Suffering of Others. Boston Review. 37(6), 
De Zaitegui, A. Sáenz (2007).  La Errancia. El
Erin Lyndal Martin (2017).  The Possible Absence of a Future: Talking With Jorie Graham.
Edemariam, Aida (2017).  Jorie Graham: ‘I am living in the late season, but it has its songs, too’. The Guardian (UK).
Ewa Chrusciel (2014).  Ewa Chrusciel on Jorie Graham’s “Passenger” . Voltage Poetry.
Eduardo Moga (2014).  Romper. Letres Libres.
Emma Hogan (2012).  Divided by a Common Verse: Jorie Graham Wins the Forward Poetry Prize. The Daily Beast.
Etter, Carrie (2005).  Overlord: A Review. The Liberal.
Eder, Richard (2000).  A State of Withdrawal. The New York Times.