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Jeff Gordinier (2020).  In Jorie Graham’s Poetry, the End of Days and the Pleasures of the Flow. New York Times Book Review.
Sarah Howe (2017).  Interview with Jorie Graham. PRAC CRIT.
Galgano, Andrea (2017).  Il posto di Jorie Graham. Frontiera di Pagine: saggi critici di psicologia dell’arte, poesia e letteratura. 2, 793-799.
Dwight Gardner (2015).  In Jorie’s Graham’s ‘From the New World,’ Flux Is a Whirling Constant. The New York Times.
Calvin Bedient (2012).  Infected by Time. Los Angeles Review of Books.
JP O'Malley (2012).  Interview: Jorie Graham's poetry. The Spectator.
Katia Grubisic (2010).  Instructions for Building the Arc. Fiddlehead.
Wengen, Deidre (2008).  Imagining the Unimaginable: Jorie Graham in Conversation. phillyBurbs.com.
Gardner, Thomas (2006).  Interview with Jorie Graham - Thomas Gardner. A Door Ajar: Contemporary Writers and Emily Dickinson.
Vendler, Helen (2002).  Indigo, Cyanide, Beryl: Review of Never. London Review of Books.
Graham, Jorie (2001).  Introduction: Something of Moment. Ploughshares. 27/4(86), 
Longenbach, James (1997).  Identity, Vision, Style. The Nation. 265(3), 
Shifrer, Anne (1995).  Iconoclasm in the Poetry of Jorie Graham. Colby Quarterly. 31(2), 
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Jericho Brown, Jorie Graham (2020).  Jorie Graham presents "Runaway" with Jericho Brown (VIDEO).
Santos Domínguez (2020).  Jorie Graham. Deprisa. ENCUENTROS DE LECTURAS.
Alberto FRACCACRETA (2019).  Jorie Graham: «La poesia e le seduzioni del postumano». Avvenire.
Adam Fitzgerald (2017).  Jorie Graham’s Poetic Autopsy for Self and Nation. The New York Times Book Review.
Edemariam, Aida (2017).  Jorie Graham: ‘I am living in the late season, but it has its songs, too’. The Guardian (UK).
Craig Morgan Teicher (2015).  Jorie Graham’s ‘From the New World’. The New York Times Book Review.
Marco Denti (2014).  Jorie Graham. BooksHighway.
Weston Cutter (2012).  Jorie Graham's P L A C E. The Kenyon Review. XXXIV,
Anon (2009).  Jorie Graham's Sea Change. delirium's library.
Spiegelman, Willard (2005).  Jorie Graham's "new way of looking". How Poets See the World: The Art of Description in Contemporary Poetry.
Gardner, Thomas (2005).  Jorie Graham; Essays on the Poetry. Abstract
Byrne, Edward (2004).  Jorie Graham: Never. Valparaiso Poetry Review. 5,
Otten, Thomas (2003).  Jorie Graham's ____s. PMLA. 118(2), 
Gardner, Thomas (2003).  Jorie Graham's End of Beauty and a Fresh Look at Modernism. Southwest Review. 88(2-3), 335-349.
anon. (2002).  Jorie Graham (1950 - ). Poetry Foundation. Abstract
Thomas Gardner (1999).  Jorie Graham's Incandescence. Regions of Unlikeness: Explaining Contemporary Poetry.
Altieri, Charles (1998).  Jorie Graham and Ann Lauterbach: Towards a Contemporary Poetics of Eloquence. Cream City Review. 12(Summer), 45-72.
Spiegelman, Willard (1998).  Jorie Graham's New Way of Looking. Salmagundi. 120, 244-275. Abstract
Longenbach, James (1997).  Jorie Graham's Big Hunger. Denver Quarterly. 31(3), 
Vendler, Helen (1995).  Jorie Graham: The Nameless and the Material. The Given and the Made: Strategies of Poetic Redefinition. 91-130.
Vendler, Helen (1995).  Jorie Graham: The Moment of Excess. The Breaking of Style: Hopkins, Heaney, Graham. 71-94.
Costello, Bonnie (1992).  Jorie Graham: Art and Erosion. Contemporary Literature. 33(2), 373-395.
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Bedient, Calvin (1990).  Kristeva and Poetry as Shattered Signification. Critical Inquiry. 16(4), 807-829.
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Rachel Hadas (2020).  Lightning in a bottle. The Times Literary Supplement.
Andrea Galgano (2019).  L’oltre-tempo di Jorie Graham. Cronache Lucane.
Marta Sans (2014).  Los distintos géneros literarios desde los que se practica la política . El Confidencial.
Tiziana de Rogatis (2014).  Letteratura e arti. allegoria.
Claudio Magris (2013).  La poesia ricuce il mondo. Corriere della Sera .
Josep Massot (2013).  Los sentidos son lo único que no miente. La Vanguardia.
De Zaitegui, A. Sáenz (2007).  La Errancia. El Cultural.es.
Halpern, Nick (2002).  Louise Glück and Jorie Graham. Everyday and Prophetic.
Tiffany, Daniel (2001).  Lyric Substance: On Riddles, Materialism, and Poetic Obscurity. Critical Inquiry. 28(1), 
Molesworth, Charles (1998).  Living in the World. Salmagundi. 120, 276-284.
Bedient, Calvin (1998).  Like a Chafing of the Visible. Salmagundi.
Morris, Robin A. (1997).  Looking Back at the One Who Looks: Jorie Graham's Orpheus Sequence. Religiologiques. 15(printemps), 
Gander, Forrest (1997).  Listening for a Divine Word: Review of The Errancy. The Boston Book Review.
Olsen, William (1992).  Lyric Detachment: Two New Books of Poetry. Chicago Review. 38(3),  Abstract