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David Michah Greenberg (2012).  The Suffering of Others. Boston Review. 37(6), 
Longenbach, James (2008).  The Wasted Land. The New York Times.
Tan, Kathy-Ann (2007).  To Catch the World / at Pure Idea: Structures of Order and Disorder in Jorie Graham's Poetry. Ideas of Order in Contemporary American Poetry.
McCabe, Susan (2006).  To Become Something Broken: Jorie Graham's Overlord. The Kenyon Review. 28(4),  Abstract
Pritchett, Patrick (2006).  The Personal Trauma That is History. The American Book Review.
Bedient, Calvin (2005).  Toward a Jorie Graham Lexicon. Jorie Graham: Essays on the Poetry.
Graham, Jorie (2005).  The Art of Revising - The Lives of the Poems: Twelve Drawings on Canvas by Mark Strand.
Logan, William (2005).  The Great American Desert. The New Criterion. 23,
Gardner, Thomas (2003).  The Art of Poetry No. 85. The Paris Review. Abstract
Klink, Joanna (2002).  To Feel an Idea. Kenyon Review. 24(1), 
Kirsch, Adam (2000).  The End of Beauty. The New Republic.
Lorberer, Eric (1997).  The Errancy by Jorie Graham. Rain Taxi. 2(#3), 
Costello, Bonnie (1997).  The Errancy: Review. The Boston Review.
Wunderlich, Mark, Graham, Jorie (1996).  The Glorious Thing: Jorie Graham and Mark Wunderlich in Conversation. American Poet. Abstract
Burt, Stephen (1996).  The more she disapears. Times Literary Supplement.
Baker, David (1994).  The Push of Reading. Kenyon Review. 16(4), 
Costello, Bonnie (1992).  The Big Hunger. The New Republic. 4.
Holden, Jonathan (1986).  The Contemporary Conversation Poem. Style and Authenticity in Postmodern Poetry. 33-44.
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Lussier, Brandon (2011).  Understanding Jorie Graham. California Journal of Poetics.
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Sara Judy (2020).  What Survives: A Review of Jorie Graham’s Runaway. EcoTheo Review.
Chaberski, Mateusz (2013).  W poszukiwaniu doświadczenia między słowami. Xiegarnia.pl.
Grubisic, Katia (2012).  Wskazówki jak zbudować arkę. BiuroLiterackie.pl.
Biedrzycki, Miłosz, Chruściel, Ewa (2012).  Wiersz jest doświadczeniem pierwotnym. BiuroLiterackie.pl.
Sacks, Peter (1996).  What's Happening?. The New York Times.
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Pieczek, Urszula (2013).  Zielnik Jorie Graham („Prześwity”). Popmoderna.pl.
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Rubén Martín, Antonio F. Rodríguez (2018).  «UN UNIVERSO PUEDE MORIR»: NOTAS DE URGENCIA SOBRE ‘DEPRISA’ DE JORIE GRAHAM. Oculta Lit.
Antonella Francini (2018).  «A cast of characters in an unnegotiable drama»: la voce del vento e il lamento dell’oceano. Semicerchio.
Michael Andor Brodeur (2012).  ‘Place’ by Jorie Graham . Boston Globe.
Duffy, Timothy (2017).  “No, this was all first person”: Revisiting Jorie Graham’s Hybrids of Plants and of Ghosts. Empty Mirror.