bibliography | Jorie Graham

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John James (2022). Heavied with Endgame: On Jorie Graham’s “[To] the Last [Be] Human”. Los Angeles Review of Books.
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Lau, David (2017). Here There Be Monsters. Bookforum. 024(03), Abstract
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Jeff Gordinier (2020). In Jorie Graham’s Poetry, the End of Days and the Pleasures of the Flow. New York Times Book Review.
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Sarah Howe (2017). Interview with Jorie Graham. PRAC CRIT.
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Galgano, Andrea (2017). Il posto di Jorie Graham. Frontiera di Pagine: saggi critici di psicologia dell’arte, poesia e letteratura. 2, 793-799.
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Dwight Gardner (2015). In Jorie’s Graham’s ‘From the New World,’ Flux Is a Whirling Constant. The New York Times.
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Calvin Bedient (2012). Infected by Time. Los Angeles Review of Books.
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JP O'Malley (2012). Interview: Jorie Graham's poetry. The Spectator.
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Katia Grubisic (2010). Instructions for Building the Arc. Fiddlehead.
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Wengen, Deidre (2008). Imagining the Unimaginable: Jorie Graham in Conversation. phillyBurbs.com.
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Gardner, Thomas (2006). Interview with Jorie Graham - Thomas Gardner. A Door Ajar: Contemporary Writers and Emily Dickinson.
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Vendler, Helen (2002). Indigo, Cyanide, Beryl: Review of Never. London Review of Books.
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Graham, Jorie (2001). Introduction: Something of Moment. Ploughshares. 27/4(86),
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Longenbach, James (1997). Identity, Vision, Style. The Nation. 265(3),
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Shifrer, Anne (1995). Iconoclasm in the Poetry of Jorie Graham. Colby Quarterly. 31(2),
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Katy Waldman (2023). Jorie Graham Takes the Long View. The New Yorker.
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Kerry Howley (2023). Jorie Graham's Late Work. New York Magazine.
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Christopher Kempf (2023). Jorie Graham: To 2040. Preposition.
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Jericho Brown, Jorie Graham (2020). Jorie Graham presents "Runaway" with Jericho Brown (VIDEO).
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Santos Domínguez (2020). Jorie Graham. Deprisa. ENCUENTROS DE LECTURAS.
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Alberto FRACCACRETA (2019). Jorie Graham: «La poesia e le seduzioni del postumano». Avvenire.
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Andrew Osborn (2019). Jorie Graham, Fast. Chicago Review. 62(01/02/03),
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Adam Fitzgerald (2017). Jorie Graham’s Poetic Autopsy for Self and Nation. The New York Times Book Review.
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Edemariam, Aida (2017). Jorie Graham: ‘I am living in the late season, but it has its songs, too’. The Guardian (UK).
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Craig Morgan Teicher (2015). Jorie Graham’s ‘From the New World’. The New York Times Book Review.
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Marco Denti (2014). Jorie Graham. BooksHighway.
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Weston Cutter (2012). Jorie Graham's P L A C E. The Kenyon Review. XXXIV,
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Spiegelman, Willard (2005). Jorie Graham's "new way of looking". How Poets See the World: The Art of Description in Contemporary Poetry.
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Gardner, Thomas (2005). Jorie Graham; Essays on the Poetry. Abstract
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Byrne, Edward (2004). Jorie Graham: Never. Valparaiso Poetry Review. 5,
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Otten, Thomas (2003). Jorie Graham's ____s. PMLA. 118(2),
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Gardner, Thomas (2003). Jorie Graham's End of Beauty and a Fresh Look at Modernism. Southwest Review. 88(2-3), 335-349.
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anon. (2002). Jorie Graham (1950 - ). Poetry Foundation. Abstract
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Thomas Gardner (1999). Jorie Graham's Incandescence. Regions of Unlikeness: Explaining Contemporary Poetry.
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Altieri, Charles (1998). Jorie Graham and Ann Lauterbach: Towards a Contemporary Poetics of Eloquence. Cream City Review. 12(Summer), 45-72.
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Spiegelman, Willard (1998). Jorie Graham's New Way of Looking. Salmagundi. 120, 244-275. Abstract
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Longenbach, James (1997). Jorie Graham's Big Hunger. Denver Quarterly. 31(3),
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Vendler, Helen (1995). Jorie Graham: The Nameless and the Material. The Given and the Made: Strategies of Poetic Redefinition. 91-130.
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Helen Veldler (1995). Jorie Graham: The Moment of Excess. The Breaking of Style: Hopkins, Heaney, Graham. 71-95.
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Costello, Bonnie (1992). Jorie Graham: Art and Erosion. Contemporary Literature. 33(2), 373-395.
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Bedient, Calvin (1990). Kristeva and Poetry as Shattered Signification. Critical Inquiry. 16(4), 807-829.
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Rachel Hadas (2020). Lightning in a bottle. The Times Literary Supplement.
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Andrea Galgano (2019). L’oltre-tempo di Jorie Graham. Cronache Lucane.
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Marta Sans (2014). Los distintos géneros literarios desde los que se practica la política . El Confidencial.
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Tiziana de Rogatis (2014). Letteratura e arti. allegoria.
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Claudio Magris (2013). La poesia ricuce il mondo. Corriere della Sera .
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Josep Massot (2013). Los sentidos son lo único que no miente. La Vanguardia.
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De Zaitegui, A. Sáenz (2007). La Errancia. El Cultural.es.
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Halpern, Nick (2002). Louise Glück and Jorie Graham. Everyday and Prophetic.
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Tiffany, Daniel (2001). Lyric Substance: On Riddles, Materialism, and Poetic Obscurity. Critical Inquiry. 28(1),
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