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Magazine Article
Alberto FRACCACRETA (2019).  Jorie Graham: «La poesia e le seduzioni del postumano». Avvenire.
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Andrew Osborn (2019).  Jorie Graham, Fast. Chicago Review. 62(01/02/03), 
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Andrea Galgano (2019).  L’oltre-tempo di Jorie Graham. Cronache Lucane.
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Rice, Kylan (2018).  The lateral radical: On Jorie Graham. West Branch.
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Antonella Francini (2018).  «A cast of characters in an unnegotiable drama»: la voce del vento e il lamento dell’oceano. Semicerchio.
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Lau, David (2017).  Here There Be Monsters. Bookforum. 024(03),  Abstract
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Adam Fitzgerald (2017).  Jorie Graham’s Poetic Autopsy for Self and Nation. The New York Times Book Review.
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Galleymore, Isabel (2017).  Posthuman Poetics. The London Magazine.
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Fan, Kit (2017).  Tremors and Electricity. The Poetry Review. 107(Autumn), 
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Bernard, April (2016).  The Dream Behind the Wall of Words. The New York Review of Books. 62(OCTOBER 13), 
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Dan Chiasson (2015).  Beautiful Lies, The poetry of Jorie Graham.. The New Yorker.
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Craig Morgan Teicher (2015).  Jorie Graham’s ‘From the New World’. The New York Times Book Review.
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Caterina Ricciardi (2014).  Graham, i luoghi come riscatto. Alias Domenica :: Supplemento Settimanale de "Il Manifesto".
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Marta Sans (2014).  Los distintos géneros literarios desde los que se practica la política . El Confidencial.
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Tiziana de Rogatis (2014).  Letteratura e arti. allegoria.
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Oliver Dixon (2014).  Multiple Things Happening At Once. Tears in the Fence.
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Isabel Galleymore (2013).  'the many promises of vision'. Stride Magazine.
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Oli Hazzard (2013).  Review of The Taken-Down God. The Times Literary Supplement.
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Chaberski, Mateusz (2013).  W poszukiwaniu doświadczenia między słowami. Xiegarnia.pl.
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Sharon Blackie: (2012).  An Interview with JORIE GRAHAM. EarthLines. jamesbibbs1989@gmx-mails.com.
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Calvin Bedient (2012).  Infected by Time. Los Angeles Review of Books.
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JP O'Malley (2012).  Interview: Jorie Graham's poetry. The Spectator.
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Weston Cutter (2012).  Jorie Graham's P L A C E. The Kenyon Review. XXXIV,
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Blackie, Sharon (2012).  Nie wolno nam utracić zdolności wychwalania. BiuroLiterackie.pl.
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Chruściel, Ewa (2012).  Poeta jest kanarkiem w kopalni. BiuroLiterackie.pl.
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Dan Chiasson (2012).  The Actual Hawk, the Real Tree. New York Review of Books. 59,
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David Michah Greenberg (2012).  The Suffering of Others. Boston Review. 37(6), 
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Biedrzycki, Miłosz, Chruściel, Ewa (2012).  Wiersz jest doświadczeniem pierwotnym. BiuroLiterackie.pl.
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Vendler, Helen (2008).  'A Powerful, Strong Torrent'. The New York Review of Books. 55(10),  Abstract
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Howe, Sarah (2008).  Sea Change: a review. PM Review. Abstract
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De Zaitegui, A. Sáenz (2007).  La Errancia. El Cultural.es.
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Hila Ratzabi (2006).  Nothing Mystical About It: An Interview with Jorie Graham. Lumina.
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McCabe, Susan (2006).  To Become Something Broken: Jorie Graham's Overlord. The Kenyon Review. 28(4),  Abstract
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Pritchett, Patrick (2006).  The Personal Trauma That is History. The American Book Review.
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Bedient, Calvin (2005).  A State of Emergency. The Boston Review.
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Etter, Carrie (2005).  Overlord: A Review. The Liberal.
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Logan, William (2005).  The Great American Desert. The New Criterion. 23,
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Byrne, Edward (2004).  Jorie Graham: Never. Valparaiso Poetry Review. 5,
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Caldwell, Roger (2003).  At a suitable distance. Times Literary Supplement.
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Gardner, Thomas (2003).  The Art of Poetry No. 85. The Paris Review. Abstract
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Logan, William (2002).  Falls the shadow. The New Criterion. 20,
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Vendler, Helen (2002).  Indigo, Cyanide, Beryl: Review of Never. London Review of Books.
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Klink, Joanna (2002).  To Feel an Idea. Kenyon Review. 24(1), 
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Graham, Jorie (2001).  Introduction: Something of Moment. Ploughshares. 27/4(86), 
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Osborn, Andrew (2000).  Review of Swarm. Boston Review.
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Kirsch, Adam (2000).  The End of Beauty. The New Republic.
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Lewis, Gwyneth (1998).  A Child of Whitman. Times (UK) Literary Supplement.
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Longenbach, James (1997).  Identity, Vision, Style. The Nation. 265(3), 
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Costello, Bonnie (1997).  The Errancy: Review. The Boston Review.
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Ramke, Bin (1996).  Review: The Dream of the Unified Field: Selected Poems 1974-1994. The Boston Review. 21(Summer), 
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