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Alberto GARCÍA-TERESA (2021).  Degradación y desaparición. Quimera Revista de literatura.
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Antonio ORTEGA (2020).  Enfermedad planetaria. EL PAÍS. Abstract
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Andrea Galgano (2019).  L’oltre-tempo di Jorie Graham. Cronache Lucane.
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Alberto FRACCACRETA (2019).  Jorie Graham: «La poesia e le seduzioni del postumano». Avvenire.
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Andrew Osborn (2019).  Jorie Graham, Fast. Chicago Review. 62(01/02/03), 
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Antonella Francini (2018).  «A cast of characters in an unnegotiable drama»: la voce del vento e il lamento dell’oceano. Semicerchio.
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Adam Fitzgerald (2017).  Jorie Graham’s Poetic Autopsy for Self and Nation. The New York Times Book Review.
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Ángel Rupérez (2014).  Poesía no apta para holgazanes. EL PAÍS.
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Antonio Luis Ginés (2014).  Corriente que fluye. Diario Córdoba.
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Antonella Francini (2013).  Premio Nonino a Jorie Graham Il suo «Place» è poesia civile di denuncia e di speranza . l'Unita.
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anon. (2002).  Jorie Graham (1950 - ). Poetry Foundation. Abstract
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Altieri, Charles (1998).  Jorie Graham and Ann Lauterbach: Towards a Contemporary Poetics of Eloquence. Cream City Review. 12(Summer), 45-72.
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Bernard, April (2016).  The Dream Behind the Wall of Words. The New York Review of Books. 62(OCTOBER 13), 
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Biedrzycki, Miłosz, Chruściel, Ewa (2012).  Wiersz jest doświadczeniem pierwotnym. BiuroLiterackie.pl.
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Blackie, Sharon (2012).  Nie wolno nam utracić zdolności wychwalania. BiuroLiterackie.pl.
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Baker, Timothy C. (2006).  Praying to an Absent God: The Poetic Revealings of Simone Weil. Culture, Theory, & Critique. 47(2), 133-147. Abstract
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Bedient, Calvin (2005).  A State of Emergency. The Boston Review.
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Burt, Stephen (2005).  "Tell them 'no'": Jorie Graham's Poems of Adolescence. Jorie Graham: Essays on the Poetry.
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Bedient, Calvin (2005).  Toward a Jorie Graham Lexicon. Jorie Graham: Essays on the Poetry.
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Byrne, Edward (2004).  Jorie Graham: Never. Valparaiso Poetry Review. 5,
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Bedient, Calvin (1998).  Like a Chafing of the Visible. Salmagundi.
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Bernard, April (1997).  Modernist Conveniences. The New York Times.
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Burt, Stephen (1996).  The more she disapears. Times Literary Supplement.
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Baker, David (1994).  The Push of Reading. Kenyon Review. 16(4), 
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Bedient, Calvin (1994).  Postlyrically Yours: A Review of Materialism. Threepenny Review.
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Bedient, Calvin (1990).  Kristeva and Poetry as Shattered Signification. Critical Inquiry. 16(4), 807-829.
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Christopher Kempf (2023).  Jorie Graham: To 2040. Preposition.
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Christian Wessels (2023).  Just Now and Gone: On Jorie Graham’s “To 2040”. Cleveland Review of Books.
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Carol Muske-Dukes (2023).  Jorie Graham, looking to the future, has a warning for us. The Washington Post.
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Chadwick Jenkins (2017).  Pulitzer Prize Winner Jorie Graham's Collection of Poetry, 'Fast', Will Haunt You, Beautifully. popMATTERS.com.
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Christopher Nelson (2017).  A Review of Jorie Graham’s fast. Under a Warm Green Linden.
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Christian Harder (2015).   Book review (Poetry): 'From the New World: Poems 1976-2014'. Richmond Times-Dispatch.
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Craig Morgan Teicher (2015).  Jorie Graham’s ‘From the New World’. The New York Times Book Review.
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Caterina Ricciardi (2014).  Graham, i luoghi come riscatto. Alias Domenica :: Supplemento Settimanale de "Il Manifesto".
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Claudio Magris (2013).  La poesia ricuce il mondo. Corriere della Sera .
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Chaberski, Mateusz (2013).  W poszukiwaniu doświadczenia między słowami. Xiegarnia.pl.
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Calvin Bedient (2012).  Infected by Time. Los Angeles Review of Books.
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Chruściel, Ewa (2012).  Poeta jest kanarkiem w kopalni. BiuroLiterackie.pl.
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Chruściel, Ewa (2009).  Na granicy poznania, zawsze pomiędzy – o poezji Jorie Graham. FRAZA. NR 65-66,
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Caldwell, Roger (2003).  At a suitable distance. Times Literary Supplement.
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Costello, Bonnie (1997).  The Errancy: Review. The Boston Review.
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Cahill, Timothy (1996).  Daring to Live in the Details. Christian Science Monitor. 88,
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Costello, Bonnie (1992).  The Big Hunger. The New Republic. 4.
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Costello, Bonnie (1992).  Jorie Graham: Art and Erosion. Contemporary Literature. 33(2), 373-395.
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David Naimon (2021).  Between the Covers Podcast | Jorie Graham : Runaway. Tin House.
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Duffy, Timothy (2017).  “No, this was all first person”: Revisiting Jorie Graham’s Hybrids of Plants and of Ghosts. Empty Mirror.
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Dan Chiasson (2015).  Beautiful Lies, The poetry of Jorie Graham.. The New Yorker.
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Dwight Gardner (2015).  In Jorie’s Graham’s ‘From the New World,’ Flux Is a Whirling Constant. The New York Times.
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Dan Chiasson (2012).  The Actual Hawk, the Real Tree. New York Review of Books. 59,
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David Michah Greenberg (2012).  The Suffering of Others. Boston Review. 37(6), 
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