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Robert Macfarlane (2022).  TO THE LAST BE HUMAN. [To] The Last [Be] Human. xv-xix.
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Mercedes O'Leary (2022).  Taking To Heart Unbearable Reality | The Rumpus Interview With Jorie Graham. The Rumpus.
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Zakary Sonntag (2021).  Time on the Mind: A Review of Jorie Graham’s Runaway. Under a Warm Green Linden.
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Rice, Kylan (2018).  The lateral radical: On Jorie Graham. West Branch.
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Erin Lyndal Martin (2017).  The Possible Absence of a Future: Talking With Jorie Graham. theRumpus.net.
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Fan, Kit (2017).  Tremors and Electricity. The Poetry Review. 107(Autumn), 
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Bernard, April (2016).  The Dream Behind the Wall of Words. The New York Review of Books. 62(OCTOBER 13), 
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Lekarczyk-Cisek, Barbara (2013).  Tajemnicze światy Jorie Graham – o tomiku wierszy Prześwity. wywrota.pl. Abstract
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Jeremy Noel-Tod (2013).  The Taken-Down God: Selected Poems 1997-2008 . Supplement to The Sunday Times.
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Dan Chiasson (2012).  The Actual Hawk, the Real Tree. New York Review of Books. 59,
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David Michah Greenberg (2012).  The Suffering of Others. Boston Review. 37(6), 
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Longenbach, James (2008).  The Wasted Land. The New York Times.
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Tan, Kathy-Ann (2007).  To Catch the World / at Pure Idea: Structures of Order and Disorder in Jorie Graham's Poetry. Ideas of Order in Contemporary American Poetry.
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McCabe, Susan (2006).  To Become Something Broken: Jorie Graham's Overlord. The Kenyon Review. 28(4),  Abstract
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Pritchett, Patrick (2006).  The Personal Trauma That is History. The American Book Review.
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Bedient, Calvin (2005).  Toward a Jorie Graham Lexicon. Jorie Graham: Essays on the Poetry.
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Graham, Jorie (2005).  The Art of Revising - The Lives of the Poems: Twelve Drawings on Canvas by Mark Strand.
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Logan, William (2005).  The Great American Desert. The New Criterion. 23,
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Gardner, Thomas (2003).  The Art of Poetry No. 85. The Paris Review. Abstract
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Klink, Joanna (2002).  To Feel an Idea. Kenyon Review. 24(1), 
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Kirsch, Adam (2000).  The End of Beauty. The New Republic.
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Lorberer, Eric (1997).  The Errancy by Jorie Graham. Rain Taxi. 2(#3), 
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Costello, Bonnie (1997).  The Errancy: Review. The Boston Review.
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Wunderlich, Mark, Graham, Jorie (1996).  The Glorious Thing: Jorie Graham and Mark Wunderlich in Conversation. American Poet. Abstract
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Burt, Stephen (1996).  The more she disapears. Times Literary Supplement.
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Baker, David (1994).  The Push of Reading. Kenyon Review. 16(4), 
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Costello, Bonnie (1992).  The Big Hunger. The New Republic. 4.
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Holden, Jonathan (1986).  The Contemporary Conversation Poem. Style and Authenticity in Postmodern Poetry. 33-44.
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Lussier, Brandon (2011).  Understanding Jorie Graham. California Journal of Poetics.
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Sara Judy (2020).  What Survives: A Review of Jorie Graham’s Runaway. EcoTheo Review.
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Chaberski, Mateusz (2013).  W poszukiwaniu doświadczenia między słowami. Xiegarnia.pl.
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Grubisic, Katia (2012).  Wskazówki jak zbudować arkę. BiuroLiterackie.pl.
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Biedrzycki, Miłosz, Chruściel, Ewa (2012).  Wiersz jest doświadczeniem pierwotnym. BiuroLiterackie.pl.
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Sacks, Peter (1996).  What's Happening?. The New York Times.
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Pieczek, Urszula (2013).  Zielnik Jorie Graham („Prześwity”). Popmoderna.pl.
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Rubén Martín, Antonio F. Rodríguez (2018).  «UN UNIVERSO PUEDE MORIR»: NOTAS DE URGENCIA SOBRE ‘DEPRISA’ DE JORIE GRAHAM. Oculta Lit.
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Antonella Francini (2018).  «A cast of characters in an unnegotiable drama»: la voce del vento e il lamento dell’oceano. Semicerchio.
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‘
Michael Andor Brodeur (2012).  ‘Place’ by Jorie Graham . Boston Globe.
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Duffy, Timothy (2017).  “No, this was all first person”: Revisiting Jorie Graham’s Hybrids of Plants and of Ghosts. Empty Mirror.
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