- books
- To 2040
- [To] The Last [Be] Human
- fast
- Runaway
- From The New World
- P L A C E
- Sea Change
- Never
- Swarm
- Overlord
- The Errancy
- The Dream of the Unified Field
- Materialism
- Region of Unlikeness
- The End of Beauty
- Erosion
- Hybrids of Plants and of Ghosts
- Earth Took of Earth
- The Best of American Poetry 1990
- All Things
- The Lives of the Poems
- Photographs & Poems
- To A Friend Going Blind
- In the Pasture
- international editions
- To 2040 (UK)
- [To] The Last [Be] Human (UK)
- Collected Works - (CN)
- Runaway (UK)
- Deprisa (ES)
- FAST (UK)
- il Posto (IT)
- Rompiente (ES)
- The Taken-Down God (UK)
- P L A C E (UK)
- Prześwity (PL)
- Shënime nga realiteti i vetes (Albanian)
- FRAZA (PL)
- L'angelo custode della piccola utopia (IT)
- Sea Change (UK)
- Region der Unähnlichkeit (D)
- La Errancia (ES)
- Zwischen den Zeilen (D)
- Overlord (UK)
- Never (UK)
- Swarm (UK)
- The Errancy (UK)
- The Dream of the Unified Field (UK)
- bibliography
- biography
- interviews
- Interview - The New Yorker
- Taking To Heart Unbearable Reality
- Harvard Gazette
- Interview :: PRAC CRIT
- poetryEast with Jorie Graham
- The Art of Poetry No. 85 :: Paris Review
- The Glorious Thing :: American Poet
- Interview :: phillyBurbs.com
- Poets Q & A :: A Smartish Pace
- Daring to Live in the Details :: CSMonitor
- Katia Grubisic :: The Fiddlehead
- Interview :: Poetry Magazine
- Interview :: Thomas Gardner
- Nothing Mystical About It :: Lumina
- Rozmowa :: Biedrzyck i Chruściel
- Interview with Jorie Graham :: Earthlines
- prose
- resources
- contact


The End of Beauty
1987
112 pages
Poetry
$15.00 (Paperback)
Ecco Press
:: selected poetry from The End of Beauty ::
Purchase this book: [USA] [UK / EU] [ebook]
Like an abstract painter, Graham spreads the broad lines of her poems over a vast space: that metaphysical territory constituting the "gorgeous/gap between the mind and the world." It is a mythic dimension no pat labels, such as Classical or Christian, can adequately define, though the poet draws on Genesis , Ovid, and the lives of the saints to set her work in motion.
Here the allusions establish wide conceptual frameworks in which the process of thought overshadows the substance. Mind grapples with a force that "has no shape but point of view," tries to comprehend the "emptiness . . . just prior to/ the start of a story." Devotional without being religious, these poems transcend their occasional Deep Image tics (a knowing, disembodied tone and weakness for blue) to reinforce Graham's reputation as a poet of considerable imaginative gifts.